- A Commensal Architecture for Evolving Living Instruments – Jonas Abernot, Guillaume Beslon, Simon Hickinbotham, Sergio Peignier, Christophe Rigotti
- A Knowledge Engineering Approach to Computational Creativity in Sound Design – Eugene Cherny, Johan Lilius, Johannes Brusila, Dmitry Mouromtsev
- A Model of Emergent Creativity in Sample Corpora – Christopher White
- Algorithmic Composition of Melodies with Deep Recurrent Neural Networks – Florian Colombo, Samuel P. Muscinelli, Alex Seeholzer, Johanni Brea, Wulfram Gerstner
- Comparing Sounds of the Singing Voice – Christel Elisabeth Bonin
- Creative Music Systems and the Individuation of Musical Works – Nemesio García-Carril Puy
- Creativity in the Generation of Machine Rhythms – Scott Barton
- Evaluating a Swarm Algorithm as an Improvising Accompanist: an Experiment in Using Transformed Analysis of George E. Lewis’s ‘Voyager’ – Rene Mogensen
- Exploring the Rules in Species Counterpoint – Iris Yuping Ren
- Generative Music Evaluation: Why do We Limit to ‘Human’? – Roisin Loughran, Michael O’Neill
- Music Transcription Modelling and Composition Using Deep Learning – Bob Sturm, João Felipe Santos, Oded Ben-Tal, Iryna Iryna Korshunova
- Text-based LSTM Networks for Automatic Music Composition – Keunwoo Choi, George Fazekas, Mark Sandler
- The Undulatory Analysis: a Tool for Music Composition – Oswaldo Gonzalez-Lizausaba
- Towards an Embodiment of Compositional Practice: the Ongoing Evolution of CloudCube – Simon Cummings
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